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These relicts of former life can be seen as dunning reminders of life’s fugacity and fragility, resembling old vanitas-symbols but also as an ode to the curiosity of life, its fascination and weirdness, its wonder and beauty. Pain, loss and ugliness are opposed to hope, beauty and humor.The blending of dark radicalness and harsh humor with poetic tenderness lies at the core of their artistic language, where frangible bones are used to build the title “The beauty is relentless”, where fine stitches form the words “Daddy you fucked up again” or where two young boys chat about a girl that is said to “swallow” captivating the spectator through its unabashed directness and soulful energy.Humanity tries to control the world but is even at the mercy of its own subconscious – a frightening fact that the artists are totally aware of.But despite of the inaccuracy of their dream depiction the video still celebrates the fascination of fantasy, a world of its own – or in the words of the speaker: “When you are asleep stuff can happen in your room, but nothing changes in the world.” I hold on reading an article about the Euro crisis – with Neal Young singing in my head I close my eyes and think of the power of the inner freedom.The artist’s experience does not appear as a coherent storyline, but as a scattered collection of thoughts and visions.Two padded birds caressing each other, a fat fish in a bowl way to small, rocks that “come into focus”, glued plastic insects, explosions and an unpublished Neil Young love song.Senses of shame or disgust are no natural occurrences.
“Examine for a moment an ordinary mind on an ordinary day.
Afterwards he edited the footage Turner Prize* created on the base of his dream description – a collaboration that could hardly be more interdigitate.